Saturday , May 21 2022

Old Artistic Globe Chief Barry Edelstein witnesses a classical and theater music marriage with L.A. Phil "Tempest"


Just a few months ago, San Diego's Old Globe organized an open-air production of "The Tempest" as an opening at the Shakespeare Festival each year.

Now, Balboa Park has a hand in a much different, even bigger, "Tempest" that's about to explode in the city.

Not our city, though – Los Angeles.

Thursday, Philharmonic of L.A. opens a three-day run for Bard's highly successful work at the Disney Concert Hall, organized by Barry Edelstein, artistic director of Erne Finci Viterbi.

The production is led by Susanna Mälkki, L.A. Phil.

Why does a Symphony Orchestra make a Shakespeare play? Since the artistic responses to "The Tempest" over the centuries was Jean Sibelius's incidental music to the play, which the Finnish composer wrote in 1925.

While a later, more condensed version with two versions of that music was often performed by orchestras over the years, LA Phil returns to the original, rare work made by Sibelius – and produces a complete production of The Tempest along with it.

The occasion for the partnership with the Globe is the continuous celebration of the 100th session of the orchestra, for which he has made many collaborations.

And he does that in a great style. The film includes two Tony awards: Beth Malone (the Ariel Sprite), best known for his role in Broadway's Fun Home and Tom McGowan (Caliban) nominated for La Bête.

The screenwriter and Israeli screenwriter Lior Ashkenazi takes over the lead role of Exiled Wizard Prospero, a role played by Kate Burton at Globe (as Prospera). Audrey Corsa portrays Prospero's daughter, Miranda.

The film also includes Grantham Coleman (Ferdinand), who took the lead role in Hamlet at Globe in 2016; and the versatile San Diego actor Mark Pinter (Gonzalo), who had many memorable moments around the city.

They have joined scriptwriter Michael Genet as Alonso; stage and stage actor Ruy Iskandar as Sebastian; mezzo-soprano Elizabeth DeShong, who shares Ariel's role with Malone; Broadway veteran Peter MacNicol (also Ally McBeal's fame), who shares Stephano's role with baritone Jarett Ott; the baritone Timothy Mix, which shares Caliban's role with McGowan; and TV and TV star Cornell Womack as Antonio.

As Edelstein explained last month, when production was in rehearsal, the Globe partnership with L.A. Phil came after the chief executive of the orchestra saw a performance of Hamlet in 2016 that played Coleman here.

"Then I got a phone call saying," Hey, it's our 100th anniversary, and we're doing all these crazy projects. One of the things we're doing is this Shakespeare series, and the next one we're going to do is "The Tempest." Do you want to do it? "

He would be. Edelstein then spent a year preparing to straighten the play.

It is important to note that this is not a symphonic performance with a bit of Shakespeare labeled on.

"We make a complete production of" The Tempest "- the whole song," said Edelstein, a director and Shakespeare tutor at the national level.

"The difference is that when I make a Shakespeare production of live music, it's a composer I ordered, and maybe two or three musicians.

"Here is an existing score of 1925 – and 120 musicians!" (More precisely, there are 80 musicians in the orchestra plus 40-year-old choir, along with actors and opera singers on the show).

"So it's a little different, not to mention that it is broadcast in a concert hall rather than in a theater." But in a funny rehearsal way, I feel a lot like I'm in a normal repetition – to make a Shakespeare play that I know how to do it.

"The Wild Card is the collaboration with the conductor and the orchestra, and so far it has been a wonderful and educational experience for me."

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When: 8 evening. Thursday Friday; 2 pm Saturday.

Where: Disney Concert Hall, 111 S. Grand Ave., Los Angeles

tickets: Approximately $ 25- $ 209

Phone: (323) 850-2000


[email protected]

Twitter: @jimhebert

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