Tuesday , June 28 2022

VIDEO. Do not you know Aya Nakamura, the author of the Djadja tube? We present this to you



[ad_1]

If you are not a girl who likes dancing and singing with her friends, you might miss Aya Nakamura and her tube Djadja. Does not matter. It's not too late to learn the lyrics: "Oh Djadja, there is no Djadja". Because the singer did not finish the first places charts with his second album, Nakamura, released on November 2.

His nickname Nakamura is Japanese, but Aya Danioko was born in Bamako, Mali and grew up in Aulnay-sous-Bois (Seine-Saint-Denis). It started musical career in 2014 with the title of love zouk posted on Facebook and YouTube, which quickly seduced millions of listeners. Some collaborations with French rappers later, is released with a first solo album, diary, released in 2017 (certified gold disc) and its first tube behavior. But is Djadja, a single released in April 2018, which installs it in all playlists, to Blues, during the World Cup in 2018.

Djadja It also runs in a loop in the Netherlands, Romania, Portugal … In the United States, the public radio station NPR makes even one of its summer blows. With the album Nakamura, the singer "beats the French rules beautifully", analyzes the American magazine Fader.

But how Aya Nakamura, 23, became the queen of the musical classification? With music "made to move, to feel his body", inspired by the love zouk she has listened to as a child, and the African trap that blends traditional African music and electronic sounds. Fewer younger fans will recognize the references to the French R & B in the early 2000s. friendsshe cites Step by step Dadoo and Vitaa, and Pom Pom resumes his text and his melody Pom Pom Pom, factor X.

His lyrics, which combines slang, African, English and Spanish expressions, also reached his audience. "I can not exactly talk to my friends"she says. A man is a "Djo". "Y is R" he means "Nothing (to see, for example, to criticize …)" and this contemporary language allows him to tell simple stories in which his fans admit: love, pauses, betrayal, rumors … Between a romantic R & B woman and a rap rap, while France listened a lot (Diam, Wallen, Kenza Farah …), Aya Nakamura defends her image of a woman "assumed well in his own skin".

However, "It was not easy to be a black woman" in the music industry, she confesses in fader. In the magazine, she says she has been asked to relieve her black skin or her "wear an easier foundation". Recently, a picture of her without makeup, posted on Instagram, earned her violent racist and sexist insults on social networks. The attacks by independent journalist Jennifer Padjemi, interviewed by AJ + online media, are associated with the concept of misogyny, double discrimination that targets black women, due to the genre and color of the skin. But Aya Nakamura seems determined to resist "Haters" remaining "in its behavior".

[ad_2]
Source link