Saturday , October 1 2022

Analysis of Karl-Bertil Jonsson for Christmas Scala Theater


MUSIC | REVIEW. Take Danielsson text, Henrik Dorsins processing, and caricaturist Per Ållin himself with a watchful eye on production. What could then be wrong with "Karl-Bertil Jonsson's Christmas"? Even when the curtain is taken off the scalateater scene and reveals the frozen back streets that everyone recognizes, the crowd hangs with hands with delight. And no wonder. Here, someone else watched the film every year since 1975, when SVT gave it the first time.

Soft knees

After the introduction of the usual saxophone, a homage with warm and musical heart for the story of love of folklore. Roles such as bumps across the floor with soft knees as film, and like many others here, I have to thank the director and the choreographer Anna Vnuk for. One loves only the stupid mother's entrance on Christmas morning with glitter on her hair and a candle light trayVanna Rosenberg). Not to mention the outbreak of Tyko Jonsson's hot rage on Christmas Eve, already linked to being disturbed in front of TVPeter Dalle). And then the lifestyle of Karl-Bertil Jonsson, his wonderful Christmas project (Anton Lundqvist).

But I'm more stuck Andreas Rothlin Svensson portrait of the drunk family father in town. He embodies seriousness about social injustice that makes this story and film much more than half an hour of fun. "Go home to your poor family."

For processing and song lyrics Henrik Dorsin, which also serves as a connection with the public, the merry Christmas values ​​that will offer something special. He is the narrator and included his own contemporary commentaries in verses, for example, which are the rich knots of our time, or what would revive Karl-Bertil's father Tyko Jonsson if he were to live today ("important politicians who take goodness") .


But above the show, there is a real mood Noren-jul. Lillasyster (Katrin Sundberg), quoting difficult poems instead of julrim, believes that parents need to be separated. Vanna Rosenberg "sister mother" is about to nerve collision. It does not have many replies, but the richer language of the body and a singing song, in which she, with sudden anger, asks the children to shell: "I see, thank you, unhappy." It's an unexpected deepening that I want but it does not have the equivalent in the other performance. One way to land her outbreak is through the best Monica Zetterlundska the "Autumn Snow" ballad, about the blessed snow that "bombs our world" (and mitigates her anxiety?). This scene is real. But some songs are disturbing. There could have been a few things in favor of the conversation – this is an ensemble in which most are primarily actors.

That's what he said. Calle Bagges the music and lyrics of Henrik Dorsin wander in the footsteps of Hasseåtage with the same musical preferences. It is eclectic, clear, nostalgic, elegant and fun.

A funky musical

The "Karl-Bertil Jonsson" Christmas Event is a cool and warm musical with satire about social injustice, intrigued by Christmas expectations and crazy commerce. But then is the Christmas gift that the public finally receives: the Varsin paper box containing a crown to give a person who really needs it. Then I think about what Dorsin says: a director of Karl-Bertil Jonsson has earned five times more than a worker, while today's directors earn 50 times more. I am afraid that everyone puts his crown in someone else's paper mug and does not think more about it.

Gunilla Brodrej is the critical and scenic publisher of Expressen culture.

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